Andrea Ancira, Documentación de investigación del Fond Teo Hernández resguardado en la Bibliothèque Kandinsky y presentada en el programa público “La lengua de Teo” en la Villa Vassilieff, febrero-abril de 2016.
A pseudo-bucolic portrait of Sara, the filmmaker’s mother, shot in black-and-white and conceived to be screened during the interpretation of a multitudinous choreographic piece by Catherine Diverrès.
Teo Hernández was a Mexican experimental filmmaker who filmed mainly in a Super 8 format. In 1958, he created, together with Antonio Campomanes, the Center for Cinematographic Experimentation (CEC) in Mexico. From 1966 onwards, he lived and worked in Paris, where he created MétroBarbèsRochechou Art (1980), an experimental film collective, along with Gabriel Badaud aka Gaël, Michel Nédjar and Jacques Haubois aka Jakobois. In his exploration of the relation between image, movement and body, he maintained a close collaboration with Studio dm (1983), a dance company founded in Paris by Bernardo Montet and Catherine Diverrès, who shaped a choreographic praxis strongly tied to literature and butoh. In France, his works have been linked to Cinéma Corporal or The School of the Body, an artistic research movement surrounding gender and body identity. After his death, his work was bequeathed to Michel Nédjar who has kept it safeguarded at the Musée National d’Art Moderne at the Pompidou Center in Paris ever since.
Editing: Teo Hernández Choreography: Catherine Diverrès Film made for the piece Concertino With Sara Jiménez, Vita Boeno Super 8 film, B&N, silent Donated by M. Michel Nédjar in 2000 Inventory Number: AM 2000-F87 Collection: Centre Pompidou, Paris. Musée National d’Art Moderne/Centre de création Industrielle